Sunday, 8 January 2012

Lewd Moroccan Movie Review ... Sexual Obsession, Eroticism, Haram

Love In The Medina

The sexual obsession of a young Moroccan butcher is whipped into a watchable exotic-erotic package.

YouTube: Uploaded by DubaiFilmFestival on Dec 3, 2011

Hollywood Reporter The Moroccan-Italian coproduction Love in the Medina, a.k.a.The Wings of Love (France) and Loves of an Apprentice Butcher (Italy), combines steamy eroticism with picturesque Orientalism in a heady blend, enthusiastically concocted by Moroccan veteran Abdelhai Laraki. The subject is sexual obsession, a perennial favorite, and the attractive young leads should give this slick-looking drama a leg up as it wends its way through the festival circuit and into selected theaters.
The voice-over of young Thami, wistfully played by emerging actor Omar Lotfi, gives a literary feel to the story, which is adapted from a novel by Moroccan writer Mohamed Nedali. Problematically edited and told in flashback, the film has far more story threads than it can follow, leaving a lot of characters underdeveloped and their stories incomplete.
Thami’s detestable father (Abdou El Mesnaoui) is a stuffy Koranic lawyer who plans a great future for his son, until the boy inflames him by announcing his heart’s desire is to become a butcher. Eventually the father gives in and sets him up in the souk of Casablanca. Thami is overjoyed and doesn’t flinch when the old man orders him to turn over the profits every night when he comes home.
Frankly, there’s one thing Thami likes even more than handling goat meat and liver: it’s handling some of the ladies who visit his shop.  He’s so good-looking they fall at his feet, from the golden-hearted pro Halima (Amal Ayouch) who relieves him of his virginity to the breathtaking Zinab (Ouidad Elma), the unsatisfied young wife of an old soldier. Falling lustfully in love, Thami and Zinab tryst in unlikely places with all the abandon of youth, until the situation turns too hot for comfort.
Their break-up gives Thami some time to shop around and sample other delicacies, including an uninhibited French tourist and a teenage wife his father brings home for him, in hopes of straightening him out.  But his passion for Zinab rages on, all the way to the unexpected ending.
Laraki and cinematographer Roberta Allegrini film sensual atmosphere wherever they can create it, from perfumed souks to rain-soaked streets to draped bedrooms. As elegant as an Italian TV commercial, the sex scenes are hot and visually imaginative without showing much flesh, even in the obligatory Turkish bath scene.

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